Painting Camera Lenses with Rubberized Truck-bed Undercoating

One thing not a lot of people know about me as a photographer is the fact that I paint my camera gear on occasion. It’s mostly cheap lens hoods but also occasionally camera lenses and I do so to make them more tough and durable. Pictured above is the Panasonic Lumix 100-300 and the Panasonic Lumix G 42.5mm Nocticron!

I wouldn’t advise this if you are planning on re-selling your gear. However, I’m pretty invested into the Micro Four Thirds format since I sold most my Nikon DSLR gear in 2008 to make this major switch to M/43 and since then, I have never looked back.

The only reservation I had about my mirrorless gear is the fact that some of my lenses felt pretty plasticky including the cheap lens hoods that came with some primes.  After thinking long and hard about it, I felt like things should have some extra protection implemented. So I took the liberty of painting my lenses in rubberized undercoating to toughen them up a bit and it really works like a charm! These two lenses aren’t the first to get this sort of treatment.

One of my favorite lenses to be released by Panasonic was the 42.5mm Nocticron which is built solidlyand I used it on a 14,500 mile photography journey around the Desert Southwest last April and May. What I didn’t like about the Nocticron though was the oversized metal lens hood which seemed to scuff up the outer edge of the Nocticron barrel. I ended up retiring this hood and buying a generic 67mm lenshood that I could screw onto the UV filter up front making it look much more stealthy. I then painted the lens including the outer barrel as you can see above.

Not all paint coatings and rubberized undercoatings are created equal. Some rubberized undercoatings are downright CRAP and you should avoid the cheap brands at the local Autozone or else you run the risk of destroying your lens. I’ve had quite a few years of trying this and experimenting and the best recommendation that I can give is to use Evercoat Automotive Premium Rubberized Undercoating for a real heavy duty job. This is by far the toughest paint for protecting expensive lenses if you want to go down this route and give it a try. This may sound utterly insane, but if I owned the Leica Noctilux, I might be tempted to try this method on one of those!

The end result is this; It will also make cheaper plastic lenses feel much more durable and weather resistant. It seems to help my equipment hold up much better under heavier usage and stay new longer.

All I used was electrical black tape to cover up areas that I didn’t want exposed to rubberized undercoating and it takes about an hour to dry and 24 hours to completely set before the smell starts to fade after the paint job is completed. Sometime I put a second coat on to be extra safe but be careful not to over-do it! I’ve had this undercoating on some of my equipment going on 5 years now and it’s still looking new. I just like it because it makes me feel like I have something nobody else has ever really tried and I thought maybe this would be of interest to you. I’ve had people asking me to post something about this, so here you go.

Captured with A Panasonic Lumix 100-300mm Lens: Joshua Tree National Park

So the image above was captured just before sundown in Joshua Tree National Park with a Panasonic Lumix 100-300mm Super-Telephoto lens! One thing I don’t mention to people very often is that this is one my most often used Micro Four Thirds lenses as it is completely indispensable in my workflow as a landscape photographer and cannot recommend it enough. It’s very difficult to work with though and you have to have some patience because it’s easy to get motion blur due to camera shake or the photographer not holding still enough. This lens is now a veteran in my kit because some of my best portfolio images came from it. Yes, this lens is highly recommended for an M/43 landscape photographer and this is what I utilize it for 99% of the time.

Other than that – this is the third image that I’ve posted from my Smugmug site in the flow of utilizing SM embedded images from back up rather than resize and re-upload here to WordPress. It seems to have streamlined my blogging work somewhat as I try and form the habit of daily posting to the photoblog. I’ll try to give insight as a photographer, whenever I can.

Split-Tone Landscape of Southern Utah

Split-Tone Landscape of Southern Utah.
Split-Tone Landscape of Southern Utah.

Shot this photo on a super-hot July afternoon out in the Escalante Desert west of Cedar City, Utah, on this road to Lund – an old ghost town along the train tracks that cuts through a remote area of Iron County. I saw plenty of antelope but didn’t photograph them. This open range falls more closely in-line with the reality of the Coen Brother’s film, No Country For Old Men because in Texas, almost all the land is privately owned by ranchers and Southern Utah has a constant problem with poachers, cattle thieves, and the occasional pot growers.

This particular photograph was shot from the Olympus OMD EM5 with a Panasonic Lumix 100-300mm Super-telephoto. This is a great lens but can be difficult to get sharp shots unless the camera is stabilized on a tripod which I used. I loved the detail of the fence line and used the Split-Tone function in Adobe Lightroom to get this old time look. The composition looked great straight out of the camera, though.